Fatehpur Sikri

Built from scratch in 1571 by Akbar in honor of the Sufi saint Salim Chisti, who had predicted the birth of a son, this grand ghost city is carved entirely from red sandstone. It was only inhabited for 14 years, after which -- some say because of water shortages -- it was totally abandoned. It's a bizarre experience to wander through these magnificent, architecturally fascinating sandstone arches, courtyards, and buildings.

The buildings combine a fine sense of proportion -- indicative of Akbar's Persian ancestry -- with strong Hindu and Jain design elements, indicative again of his embracing attitude to the conquered and their faiths. Upon entering, you will see Diwan-i-Khas, thought to be a debating chamber, on the right. Facing it is Ankh Michali, thought to be the treasury, which has mythical Hindu creatures carved on its stone struts. To the left is large Parcheesi Court, where Parcheesi (from which games such as backgammon and ludo were subsequently derived) was played with live pieces: the ladies of the harem. It is said that Akbar learned much about the personalities of his court and enemies by watching how they played, won, and lost. Surrounding the court are, from the left, Diwan-i-Am, a large pavilion where public hearings were held; the Turkish Sultana's House, an ornate sandstone pavilion; and Abdar Khana, where drinking water and fruit were apparently stored.

Walk between the two latter buildings to enter Akbar's private quarters. Facing Anoop Talao -- the four-quartered pool -- are the rooms in which he slept and his personal library with shelves carved into the walls. Also overlooking Parcheesi Court is Panch Mahal, the tallest pavilion, where Akbar's wives could watch the games and enjoy the breeze without being seen. Behind Panch Mahal are the female quarters, including Maryam's House and the Haram Sara Complex. The harem leads to Jodha Bai's Palace, a large courtyard surrounded by pavilions -- note the green glazed roof tiles. To the east is Birbal's House, a two-story pavilion noted for its carvings; beyond lie the servants' cells. From here you exit to visit Jama Masjid, a mosque even more spectacular than the larger one Akbar's grandson built in Delhi. Set like a glittering pearl amid the towering red-sandstone bastions, punctuated by a grand gateway, is the white marble dargah (tomb) of Salim Chisti, which has some of the most beautiful carved screens in India. It attracts pilgrims from all over India, particularly (given the good fortune he brought Akbar) the childless, who make wishes while tying cotton threads onto the screens that surround the tomb.
Again, the services of a good guide are indispensable to a visit here (don't bother hiring one of the "official" guides at the entrance, however).

Agra Fort

Agra Fort is a UNESCO World Heritage site located in Agra, India. The fort is also known as Lal Qila, Fort Rouge and Red Fort of Agra. It is about 2.5 km northwest of its much more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled palatial city.


It is the most important fort in India. The great Mughals Babur, Humayun, Akbar, Jehangir, Shah Jahan and Aurangzeb lived here, and the country was governed from here. It contained the largest state treasury and mint. It was visited by foreign ambassadors, travellers and the highest dignitaries who participated in the making of history in India.



Built by Akbar (or rather, by his 4,000 workmen) on the west bank of the Yamuna, Agra Fort first took shape between 1565 and 1573, but each successive emperor was to add his imprint, and today the towering red-sandstone ramparts house a variety of palace apartments, representing the different building styles of Akbar and his grandson Shah Jahan. Akbar's son, Jahangir, installed a "chain of justice" (1605) by which any of his subjects could call on him, which provides some insight into the ruling qualities of the man many dismiss as a drunkard. Entrance is through impressive Amar Singh Gate. On your right-hand side you pass Jahangiri Mahal, the palace that housed the women of the court, dating to Akbar's reign (ca. 1570). In front is a stone pool with steps both inside and outside -- legend says it was filled with rose petals during Nur Jahan's time, so that she could bathe in their scent.



Much of the exterior (the jutting jarokhas, for example, and the domed chattris) and almost the entire interior were clearly built by Hindu workmen, who used Hindu building styles and decorative motifs -- indicative of Akbar's all-embracing religious tolerance.

Taj Mahal

Taj Mahal is regarded as one of the eight wonders of the world, and some Western historians have noted that its architectural beauty has never been surpassed. The Taj is the most beautiful monument built by the Mughals, the Muslim rulers of India. Taj Mahal is built entirely of white marble. Its stunning architectural beauty is beyond adequate description, particularly at dawn and sunset. The Taj seems to glow in the light of the full moon. On a foggy morning, the visitors experience the Taj as if suspended when viewed from across the Jamuna river.

Taj Mahal was built by a Muslim, Emperor Shah Jahan (died 1666 C.E.) in the memory of his dear wife and queen Mumtaz Mahal at Agra, India. It is an "elegy in marble" or some say an expression of a "dream." Taj Mahal (meaning Crown Palace) is a Mausoleum that houses the grave of queen Mumtaz Mahal at the lower chamber. The grave of Shah Jahan was added to it later. The queen’s real name was Arjumand Banu. In the tradition of the Mughals, important ladies of the royal family were given another name at their marriage or at some other significant event in their lives, and that new name was commonly used by the public. Shah Jahan's real name was Shahab-ud-din, and he was known as Prince Khurram before ascending to the throne in 1628.

Taj Mahal was constructed over a period of twenty-two years, employing twenty thousand workers. It was completed in 1648 C.E. at a cost of 32 Million Rupees. The construction documents show that its master architect was Ustad ‘Isa, the renowned Islamic architect of his time. The documents contain names of those employed and the inventory of construction materials and their origin. Expert craftsmen from Delhi, Qannauj, Lahore, and Multan were employed. In addition, many renowned Muslim craftsmen from Baghdad, Shiraz and Bukhara worked on many specialized tasks.

The Taj stands on a raised, square platform (186 x 186 feet) with its four corners truncated, forming an unequal octagon. The architectural design uses the interlocking arabesque concept, in which each element stands on its own and perfectly integrates with the main structure. It uses the principles of self-replicating geometry and a symmetry of architectural elements.

Its central dome is fifty-eight feet in diameter and rises to a height of 213 feet. It is flanked by four subsidiary domed chambers. The four graceful, slender minarets are 162.5 feet each. The entire mausoleum (inside as well as outside) is decorated with inlaid design of flowers and calligraphy using precious gems such as agate and jasper. The main archways, chiseled with passages from the Holy Qur’an and the bold scroll work of flowery pattern, give a captivating charm to its beauty. The central domed chamber and four adjoining chambers include many walls and panels of Islamic decoration.

The mausoleum is a part of a vast complex comprising of a main gateway, an elaborate garden, a mosque (to the left), a guest house (to the right), and several other palatial buildings. The Taj is at the farthest end of this complex, with the river Jamuna behind it. The large garden contains four reflecting pools dividing it at the center. Each of these four sections is further subdivided into four sections and then each into yet another four sections. Like the Taj, the garden elements serve like Arabesque, standing on their own and also constituting the whole.